The protagonist of "Farewell, Berlin" is a moralist in a troubled world. The destined powerlessness and tragedy fit the arc of the film's falling on the historical axis, and human history has become a sigh along the way. Fabien's close friend, Labod, was an academic with socialist ideals, and devoted himself to following the German writer Gotthold Ephraim Lessing of the Enlightenment era.
Believing in the possibility job email list of rationality in chaotic Berlin. In the city essay-like hand-held camera, the voiceover narrates the state of Fabian and the atmosphere of the city from time to time: "The city has long fallen into a madness, and destruction lurks in every corner." It is a declaration of the idealism of the two tragic prophecy. As "Farewell, Berlin" focuses on the moral commanding heights of the era, Fabian's shaping includes post-traumatic syndrome surviving after World War I, susceptibility to external stimuli, and the habit of using words to remember the past.
Fabian was an individual who was sadly opposed to Berlin at that time, and finally made a clear line with him when the whole film was on the verge of disorder several times. And Fabien's morality and kindness are like the ideal but weak democratic imagination projection of the Weimar period, the goodness he holds and the enlightenment that his friend Labude believes in. When everyone bows their heads and is eager to get rid of the mud of their own lives, they choose once In this era of crossing the line, reason seems rare, and accompanied by sober emptiness, it is even regarded as anachronistic and ridiculous.